HONORARY AWARDS
CÉSAR AND ROSALIE
CESAR ET ROSALIE
Director: Claude Sautet
France, Italy, West Germany / 1972 / Colour / 110' / French; Turkish subtitles
Screenplay: Jean-Loup Dabadie, Claude Sautet
Music: Philippe Sarde
Cinematography: Jean Boffety
Editing: Jacqueline Thiédot
Cast: Yves Montand, Romy Schneider, Sami Frey, Bernard Le Coq, Eva Maria Meineke, Isabelle Huppert, Gisela Hahn
Producer: Michelle de Broca
Production Company: Fildebroc Productions, Mega Film, Paramount-Orion Filmproduktion
Sometimes two and two make three. Rosalie and David… Rosalie and César… César and David…
After her divorce, the beautiful Rosalie begins a relationship with César, a wealthy playboy and businessman. But when her former lover David unexpectedly reenters her life, the two men find themselves competing for her heart. One of Claude Sautet’s most acclaimed films, César and Rosalie reunites the director with his on-screen muse, Romy Schneider.
Awards
- 1973 David di Donatello Best Foreign Actor (Yves Montand)
Claude Sautet
After working as an assistant director in the 1950s, he made his feature debut in 1956 with Bonjour Sourire. His 1960 underworld melodrama Classe tous risqué (The Big Risk) was overshadowed by the younger New Wave directors. He achieved his breakthrough in 1969 with Les choses de la vie, a keenly observed study of a mid-life crisis triggered by a car accident, which earned him the 1970 Louis-Delluc Prize. Throughout the 1970s and 1980s, he became known for films that carefully explored French bourgeois life and human relationships. Notable works include César et Rosalie (1972), Vincent, François, Paul et les autres (1974), Mado (1976), Une histoire simple (1978), made as a gift for Romy Schneider, and Garçon! (1983). With Un Mauvais Fils (1980), he turned his focus to the working class and the issues facing younger generations. Through his sensitive character studies and meticulous depiction of social relations, he became recognized by the late 1970s as French cinema’s chronicler of middle-class life. Sautet, who passed away in 2000, left behind a portrait of cinema and a personality far more complex and contradictory than it appears at first glance.